布萊恩·芬尼豪赫
外觀
芬尼豪赫 | |
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Brian Ferneyhough | |
出生 | ![]() | 1943年1月16日
知名作品 | 多首弦樂四重奏,聲樂套曲《超技練習曲》,鋼琴曲《定理-記號-警句》,管樂六重奏《普羅米修斯》,獨奏單簧管與演奏組的《伊卡洛斯的墜落》,管弦樂《火周期β》 |
所屬時期/樂派 | 20世紀 |
擅長類型 | 室內樂,管弦樂 |
師從 |
布萊恩·約翰·彼得·芬尼豪赫(英語:Brian John Peter Ferneyhough,1943年1月16日—),又譯芬尼豪、費尼霍夫、費尼豪,英國作曲家。1943年出生於考文垂,曾在伯明翰音樂學校接受音樂教育,後又到英國皇家音樂學院師從倫諾克斯·伯克利,1960年代末移居歐洲大陸,又曾師從克勞斯·胡貝爾。1987年至1999年在聖迭戈加利福尼亞大學任教,此外還在斯坦福大學、哈佛大學等多處教學。[1]
芬尼豪赫被認為是「新複雜主義」音樂的代表人物。他的作品往往以樂譜極端複雜著稱,並經常使用複雜的連音節奏。[2]在他的作品中,室內樂占有重要位置,其中包括了眾多的弦樂四重奏樂曲。他的代表作還有聲樂套曲《超技練習曲》、鋼琴曲《定理-記號-警句》、管樂六重奏《普羅米修斯》、獨奏單簧管與演奏組的《伊卡洛斯的墜落》、管弦樂《火周期β》等。[3]
注釋
[編輯]- ^ Composer of the Week - Contemporary Sheet music editionpeters. 2012-02-20 [2017-12-27]. (原始內容存檔於2012-02-20).
- ^ Wang, Yun. 音乐与建筑 Yin yue yu jian zhu Di 1 ban. Beijing: Zhongguo dian li chu ban she. 2015. ISBN 9787512373815. OCLC 907972708.
- ^ Talento, Romeo. Brian Ferneyhough – The Living Composers Project. composers21.com. [2017-12-27]. (原始內容存檔於2017-12-27).
延伸閱讀
[編輯]- Boros, James, and Richard Toop (eds.). The Collected Writings of Brian Ferneyhough (頁面存檔備份,存於網際網路檔案館). Amsterdam: Harwood Academic Publishers, 1995. Review by Ian Pace (頁面存檔備份,存於網際網路檔案館)
- Bortz, Graziela. Rhythm in the music of Brian Ferneyhough, Michael Finnissy, and Arthur Kampela : a guide for performers (頁面存檔備份,存於網際網路檔案館). Ph.D. Thesis, City University of New York, 2003.
- Duncan, Stuart. "Re-complexifying the Function(s) of Notation in the Music of Brian Ferneyhough and the 'New Complexity'". Perspectives of New Music 48, no. 1 (Winter 2010): 136–72.
- Feller, Ross. "Multicursal Labyrinths in the Work of Brian Ferneyhough". U.M.I., Ph.D. Thesis, University of Illinois at Urbana-Champaign, 1994.
- Pace, Ian. [Review:] "Brian Femeyhough, Collected Writings, edited by James Boros and Richard Toop. Harwood Academic Publishers; Ferneyhough: String Quartet No. 4; Kurze Schatten II; Trittico per G. S.; Terrain, Arditti String Quartet with Brenda Mitchell (sop); Magnus Andersson (gtr); Stefano Scodanibbio (db); Irvine Arditti (vln) with ASKO Ensemble c. Jonathan Nott. Disques Montaigne MO 7 82029. Ferneyhough: Prometheus; La Chute D'Icare; On Stellar Magnitudes; Superscriptio; Carceri d'Invezione III. Luisa Castellani (voice); Felix Renggli (fl); Ernesto Molinari (cl); Ensemble Contrechamps c. Giorgio Bernasconi, Zsolt Nagy, Emilio Pomarico. ACCORD 205772". Tempo new series, no. 203 (January 1998): 45–48, 50–52.
- Rosser, Peter. "Brian Ferneyhough and the 'Avant-Garde Experience': Benjaminian Tropes in Funérailles". Perspectives of New Music 48, no. 2 (Summer 2010):114–51.
- Schick, Steven. "Developing an Interpretive Context: Learning Brian Ferneyhough's Bone Alphabet (頁面存檔備份,存於網際網路檔案館)" (Subscription Access). Perspectives of New Music 32, no. 1 (Winter, 1994): 132–53.
- Tadday, Ulrich (ed.). "Brian Ferneyhough". Munich: Edition Text+Kritik in Richard Boorberg Verlag, 2008. (German)
- Toop, Richard. "Brian Ferneyhough's Lemma-Icon-Epigram". Perspectives of New Music 28, no. 2 (Summer, 1990): 52–100.
- Toop, Richard. "'Prima le Parole…' (On the Sketches for Ferneyhough's Carceri d'invenzione I–III)". Perspectives of New Music 32, no. 1 (Winter, 1994): 154–75.
- Whittall, Arnold. "Connections and Constellations". The Musical Times 144, no. 1883 (Summer): 23–32.
- Williams, Alastair. "Adorno and the Semantics of Modernism". Perspectives of New Music 37, no. 2 (Summer 1999): 1–22.
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